Friedrich Wilhelm, the Great Elector.
Ducat 1686 LCS, Berlin.
Extremely rare.
Attractive piece.
Maximilian II.
Ducat 1855.
Only a few pieces are known.
Extremely fine-uncirculated.
Ferdinand Albrecht I.
Löser in the weight of 4 Reichstalers 1670, Clausthal.
Extremely rare.
Attractive piece.
Friedrich Adolf.
5 Ducats 1711, Detmold.
Only known piece.
Extremely fine-uncirculated.
10 Ducats 1630.
Extremely rare.
Extremely fine.
6 Ducats, n. d. (1765-1790), with the title of Joseph II.
NGC MS 62 PL.
Extremely rare.
Attractive piece from polished dies.
Almost uncirculaed.
Johann Adolf, 1590-1616.
Portugalöser (10 ducats) n.d., Eutin.
Extremely rare and of particular
significance in monetary history.
Attractive piece.
Leopold I, 1657-1705.
20 Ducats, n. d. (after 1666), Hall,
by M. König.
Extremely rare.
Almost extremely fine.
20 Ducats 1687.
NGC AU 58.
Extremely rare.
Extremely fine.
Salvator medal in the weight of 24 Ducats,
n. d. (after 1843), by K. Lange.
NGC PF 61.
Extremely rare.
Proof.
Archive: People and Markets
From Brutus to Brandt – Digital Exhibition of the Deutsche Bundesbank
The Deutsche Bundesbank presents “From Brutus to Brandt – Coins as a Testimony to Collective Memory”. In this sophisticated digital exhibition, eight coins from antiquity to the present day are examined in detail.
Famous Dacian Helmet Stolen – Thieves Blasted Their Way Into the Museum
On the night of 24 to 25 January, a museum in Assen, Netherlands, was targeted by thieves. They stole four important Dacian gold objects from a temporary exhibition – including the famous Coțofenești helmet. Do we have to worry about it being melted down as well?
Solomon Islands New Banknote released in celebration of the XVII Pacific Games
The Central Bank of the Solomon Islands released new $10 commemorative banknotes to commemorate the XVII Pacific Games that the island country will hosting for the first time this year. The new banknote is expected to be widely circulated for use throughout the Solomon Islands.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”