Estimate: 2.000.000 CHFTHE FIRST 100 ESCUDOS EVER STRUCK.
Spain.
Philip III,
100 Escudos 1609,
Segovia.
Unique.
314
Estimate: 100.000 CHFTHE FINEST PORTRAIT OF CLEOPATRA.
Roman Republic.
Cleopatra VII and Mark Antony,
Tetradrachm 36 BC,
Antioch on the Orontes.
152
Estimate: 300.000 CHFRoman Empire.
Augustus,
Aureus circa 27 BC-15 CE,
Pergamon (?).
153
Estimate: 500.000 CHFMexico.
Philip V,
8 Escudos 1729/7,
Mexico.
NGC MS65 (Top pop).
300
Estimate: 500.000 CHFTHE FIRST GOLD SOVEREIGN IN HISTORY.
Great Britain.
Henry VII,
Gold Sovereign,
type I, Cross Fitchee, n. d. (1492),
Tower mint.
231
Estimate: 100.000 CHFIslamic World.
Temp. 'Abd al-Malik b. Marwan,
Solidus
AH 72-74.
184
Estimate: 70.000 CHFItaly, Ferrara.
Alfonso I d'Este,
2 Ducats n. d.,
Ferrara.
289
Estimate: 200.000 CHFTauric Chersonese.
Pantikapaion,
Gold Stater
circa 380-370 BC.
72
Estimate: 3.000 CHFSarawak.
Charles Anthony Johnson Brooke,
50 Cents 1906,
Birmingham (Heaton).
NGC SP66 (Highest grade).
1166
Estimate: 1.000 CHFUSA.
50 Cents 1795,
Philadelphia.
1420
Archive: People and Markets

How the Romans Made Counterfeits

Counterfeits have been around in ancient Roman times, too. Romans made counterfeit cast coins from a copper-tin alloy. The alloy imitates the appearance of real silver coins. In an interdisciplinary research project at the University of Tübingen (Germany), the production process of these counterfeits has been successfully reconstructed for the first time.

The steps involved ranged from pressing coins into clay moulds to imprint the shape of the coin, to melting the components of the alloy up to the actual casting process. Thanks to the results of the experimental project, we can now better understand the phenomenon of counterfeit coins in the Roman Empire.

PD Dr. Stefan Krmnicek provides his numismatic perspective to the interdisciplinary project.

PD Dr. Stefan Krmnicek provides his numismatic perspective to the interdisciplinary project.

The interdisciplinary team consists of:

  • Alexander Zimmermann of Schmiede und Schlosserei Zimmermann (a blacksmith’s workshop), Pliezhausen,
  • Annette Flicker and Dr. Christoph Berthold of the Competence Center Archaeometry- Baden-Wuerttemberg CCA-BW, University of Tübingen, and
  • Rebecca Sandbichler, Mona Hähnle and PD Dr. Stefan Krmnicek from the Institute of Classical Archaeology, University of Tübingen

The work was documented on film. The result can be seen on the official YouTube channel of the University of Tübingen. The video is in German, but has professional English subtitles.

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