Livonian Order. Gotthard Kettler, 1559-1561.
2 1/2 Ducats n. d., mint probably Riga.
Extremely rare.
Almost extremely fine.
Elizabeth I, 1558-1603.
Sovereign n. d., (1584-1586), London.
Very rare.
Slightly bent, almost extremely fine.
Mustafa III, 1757-1774.
2 Zeri Mahbub 1757/1758 (= 1171 AH), Misr (Kairo)
Ziynet pattern.
Very rare.
Holed, almost extremely fine.
Carlos III, 1759-1788.
8 Escudos 1764, NR-JV,
Santa Fe de Nuevo Reino (Bogota).
NGC AU58.
Rare. Extremely fine.
Bankportugalöser in the weight of 10 Ducats 1689,
by J. Reteke, on the major European banking cities of
Amsterdam, Hamburg, Nuremberg, and Venice.
NGC MS63 PL. Very rare.
Extremely fine-uncirculated.
Penny 1919.
Copper-nickel pattern of the “Kookaburra Penny”
by C. D. Richardson for Stokes & Sons. Extremely rare.
PCGS SP 61.
Tiny edge faults, extremely fine.
Vereenigde Amsterdamsche Compagnie.
1/2 Daalder in the weight of 4 Reales 1601, Dordrecht.
Extremely rare. Fine patina,
very fine-extremely fine.
5 Gulden type 1846.
Highest rarity (RRRR).
PMG Choice Very Fine 35.
1000 Gulden type 1860.
Highest rarity (RRRR).
PMG Extremely Fine 40.
Pinholes. Pressed.
Leonhard von Keutschach, 1495-1519.
3 Ducats 1513. Extremely rare.
Attractive piece with nice golden toning, min. bent,
extremely fine.
“art.power(s).wealth” – New Special Exhibition at the Swiss Finance Museum
How does the art market work? How does the formation of prices in this market take place? What and who influences the value of artworks? The new special exhibition “art.power(s).wealth” (kunst.macht.geld) at the Swiss Finance Museum in Zurich-West shows from Friday, August 30, 2024, how the art market has developed and what parallels there are with the financial market.
The new special exhibition is dedicated to the art market. Image: Swiss Finance Museum.
At first glance, the special exhibition “art.power(s).wealth” (kunst.macht.geld) looks like an art exhibition. Canvases where you can look at and through. However, the exhibition focuses on the market, power and money. Because art is not just pure aesthetics, the spotlight of the special exhibition is on the financial side of the art market.
Inside view of the special exhibition. Image: Swiss Finance Museum.
A lot of money flows in the art market; sometimes considerable sums are involved. Art deals with money on various levels: for example, as an investment vehicle for private investors, as an investment for collections or museums. While art has increasingly become an attractive investment in recent years, it has always been clear to collectors that art has value – both material and immaterial. This does not necessarily correspond to the price of art.
Inside view of the special exhibition. Image: Swiss Finance Museum.
The exhibition sheds light on the diverse interrelationships between art and finance and their development – particularly in painting. It shows what roles the various parties play in the market, what parallels there are with the stock market and how art influences the economy, and the economy influences art. The exhibition also looks at important trends of recent years (including the digitalization and tokenization of the market) and addresses the darker side of the art market.
Inside view of the special exhibition. Image: Swiss Finance Museum.
The special exhibition n “art.power(s).wealth” at the Swiss Finance Museum can be visited until summer 2026. At the same time, the existing permanent exhibition can still be viewed. It brings to life the origins of the global economic system as well as the role of the stock exchange and the history of the Swiss financial center.
