Estimate: 2.000.000 CHFTHE FIRST 100 ESCUDOS EVER STRUCK.
Spain.
Philip III,
100 Escudos 1609,
Segovia.
Unique.
314
Estimate: 100.000 CHFTHE FINEST PORTRAIT OF CLEOPATRA.
Roman Republic.
Cleopatra VII and Mark Antony,
Tetradrachm 36 BC,
Antioch on the Orontes.
152
Estimate: 300.000 CHFRoman Empire.
Augustus,
Aureus circa 27 BC-15 CE,
Pergamon (?).
153
Estimate: 500.000 CHFMexico.
Philip V,
8 Escudos 1729/7,
Mexico.
NGC MS65 (Top pop).
300
Estimate: 500.000 CHFTHE FIRST GOLD SOVEREIGN IN HISTORY.
Great Britain.
Henry VII,
Gold Sovereign,
type I, Cross Fitchee, n. d. (1492),
Tower mint.
231
Estimate: 100.000 CHFIslamic World.
Temp. 'Abd al-Malik b. Marwan,
Solidus
AH 72-74.
184
Estimate: 70.000 CHFItaly, Ferrara.
Alfonso I d'Este,
2 Ducats n. d.,
Ferrara.
289
Estimate: 200.000 CHFTauric Chersonese.
Pantikapaion,
Gold Stater
circa 380-370 BC.
72
Estimate: 3.000 CHFSarawak.
Charles Anthony Johnson Brooke,
50 Cents 1906,
Birmingham (Heaton).
NGC SP66 (Highest grade).
1166
Estimate: 1.000 CHFUSA.
50 Cents 1795,
Philadelphia.
1420
Archive: People and Markets

Ephesus Experience Museum – Symphony on a World Heritage Site

Nestled within the sacred grounds of the archaeological site of Selçuk, Turkey, the Ephesus Experience Museum resurrects the rich past of the once-legendary city Ephesos. An audiovisual symphony of myth and reality takes visitors on a journey into the past. ATELIER BRÜCKNER designed the architecture and the immersive visitor experience. It covers 2400 square metres and is intended to welcome 2200 visitors a day. The experience appeals to all senses.

First room – Artemis the goddess. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

First room – Artemis the goddess. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Visitors are immersed in ancient Ephesus and its history, told in three chapters. A three-dimensional soundscape, rich in musical composition, permeates the rooms. It evokes the melodies of antiquity, bustling markets and whispers of lives once lived. Like living particles, myths and tangible everyday life swirl around the visitors. The large-format 360-degree projections create a vivid spatial image that is enhanced by state-of-the-art audio technology and multisensory elements such as smell and fog to become an immersive experience. A storyteller guides the visitors through the rooms and experiences. The audio guide is available in over a dozen languages.

First room – Herostratus burns the temple. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

First room – Herostratus burns the temple. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

First room – The Artemision. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

First room – The Artemision. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

In the first room (approximately 5min 30sec), visitors learn about the prophecies of the Oracle of Delphi almost eight millennia ago, about Androclos, an Athenian prince who founded the new city in Asia Minor and about the city’s patron goddess, Artemis, and her role in the founding of the city. The room takes the visitor through its three temples: the First Temple, the Marble Temple and finally the Artemision, one of the Seven Wonders of the Ancient World.

Second room – Cleopatra and Marc Anthony. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room – Cleopatra and Marc Anthony. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room – Roman terrace houses. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room – Roman terrace houses. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room – Saint Paul. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Second room – Saint Paul. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

As the chapters of the city unfold, visitors are transported to the second room (approximately 7min 30sec), which takes them on a historic visit to the city at its height. They descend from high above the sea to the bustling Arcadian Way and meet Cleopatra and Mark Anthony on the marble streets. They marvel at the splendor of the terraced houses and feel the echoes of epic contests in the ancient theatre as the city marches on under Roman rule. In the city’s poignant twilight, a new faith takes hold – St Paul preached here and the magnificent basilica of St John was built – before the metropolis surrenders to an age of silence.

Third room – Artemis statue. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Third room – Artemis statue. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

The third and final room (approximately 2min 30sec) is dedicated to the city’s patron goddess. It offers an immersive experience of light and sound, combined with a life-size statue of Artemis and monolithic screens to envelop visitors in a poetic manifestation. Standing in front of the awe-inspiring statue of Artemis (faithful copy), visitors discover how Artemis has always been present; a guardian of life itself, immortalized in the breath of the trees, the pulse of the mountains and the heartbeat of the city through the centuries. A majestic finale that will leave the visitors spellbound.

Exterior view. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Exterior view. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Overview. Credit: Atelier Brückner.

Overview. Credit: Atelier Brückner.

A visit to the Ephesus Experience Museum is a fulminant experience. It stands in deliberate contrast to the minimalist architecture of the museum, which is embedded in the trees of the archaeological landscape. The surface of the building reflects the surroundings. Its architectural volume gradually emerges between the pine trees. A gently sloping ramp provides a welcoming path, leading into a semi-enclosed courtyard before embarking on the expansive journey. The new structure was designed to be entirely reversible, emphasizing the commitment to preserving the site’s integrity for future generations.

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