1/2 Reichstaler 1621,
under Wilhelm V of Hesse-Kassel as administrator.
Condition: ef+


city of Besançon,
3 Pistols 1666 with title Charles V.
Condition: CH UNC

Bavaria, Chaise d'or (imperial shield)
1328-1347 under Emperor Louis IV.
Condition: ef

Reichstaler 1654-1668
under Count Guidobald von Thun.
Condition: vf-ef

Solidus (491-518)
under Anastasius the righteous.
Condition: vf-ef

Archive: People and Markets
2023 Was a Record Year for Archaeological Finds in the UK
The British Museum has launched the latest Portable Antiquities Scheme (PAS) Annual Report, showing a record high of 74,506 finds recorded by the public in 2023. See some of the highlights here.
Germany’s New Platform Tax Transparency Act: A Problem for eBay Coin Dealers?
Germany’s new Platform Tax Transparency Act has caused great concern among German coin collectors. Will they have to explain themselves to the tax authorities whenever they sell pieces of their collection? In most cases, the answer is no. Unless their hobby turns into a regular side-line.
Archive: Coins, Medals and more

French History in Coins – Part 2: From the Second Republic to the Second Empire
In the 19th century, people in France suffered from hunger and poverty. There were uprisings and a revolution. But the first president of the new republic was a nephew of Napoleon and completely took after the old emperor.

A Numismatic Journey Through the Principality of Monaco
On the visit of Albert II and Charlène of Monaco to Germany: The small country on the Mediterranean has more to offer than casinos, car races and film stars – it can look back on a long numismatic tradition.















Verdicts in the Dresden Jewel Heist Case
More than three years after the spectacular burglary at Dresden’s Green Vault, the Dresden Regional Court handed down a verdict on 16 May 2023. The return of part of the loot has paid off for the defendants. But many questions are still open.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.