Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
Greek Museums Between Commercialisation and Modernisation
Five of Greece’s most important museums are to become more autonomous and operate independently of state funding. A bill of the Greek government to this effect has been hotly debated and led to strikes.
Two Robberies in Two Days – French Museums Targeted by Criminals
Last week, two museums in France were robbed. The museums were helpless in the face of the criminals’ ruthless brutality. Is it even possible to protect our cultural heritage in this day and age?
Archive: Coins, Medals and more

State-of-the-Art Minting Technology
Colours, special shapes, inlays, micro inscriptions, latent images and holograms – many technologies are used on commemorative coins today. In this article, we give you a little overview of the different technologies that are currently applied in the coin producing industry.

What Do Gaming Counters Have to Do with Numismatics?
On 5 July 2025, Künker will offer a complete set of trictrac pieces at its auction 425. The ensemble is of great cultural and historical value. This prompts us to ask why gaming counters are part of the numismatic field – and what insights they can offer into the numismatic daily life of the early modern period.

















Hacksilber, Persian and Early Hellenistic Coinage from the Jeselsohn Collection
Haim Gitler, David Jeselsohn, Mati Johananoff and Oren Tal present the first volume of a series about the Jeselsohn Collection of Coins of the Holy Land, which is probably the most important collection of coins of the southern Levant. This volume covers Hacksilber, Persian and Early Hellenistic coinage.
Is the EU Sleepwalking Into an Art Market Nightmare?
Enforcement of import licensing for cultural goods is just two years away, but many serious questions remain over what will happen. A detailed insight into a complicated matter.