1/2 Reichstaler 1621,
under Wilhelm V of Hesse-Kassel as administrator.
Condition: ef+


city of Besançon,
3 Pistols 1666 with title Charles V.
Condition: CH UNC

Bavaria, Chaise d'or (imperial shield)
1328-1347 under Emperor Louis IV.
Condition: ef

Reichstaler 1654-1668
under Count Guidobald von Thun.
Condition: vf-ef

Solidus (491-518)
under Anastasius the righteous.
Condition: vf-ef

Archive: People and Markets
Vote for the Theme of the New Euro Banknotes!
The ECB is developing a new series of Euro banknotes. As Europeans should identify with their currency, people are invited to express preferences on seven shortlisted themes in a public survey.
Swinging London: Coinex 2024
Despite Brexit and competing events, Coinex is definitely worth a trip – especially to meet the many young dealers who gather there. After all, London is swinging at Coinex, too! Ursula Kampmann reports.
Archive: Coins, Medals and more

The Birth of the Krugerrand
The South African Krugerrand is the world’s oldest bullion coin. When it was first minted in 1967, the concept of producing a coin that matched the weight of an investment unit – one ounce – was both new and innovative. Learn more about the economic background and the meaning of its design here.

The Great Elector, Taxes and the Rise of Prussia
On 1 February 2024, the Künker auction house will hold its 400th auction sale. Among the 770 lots are very rare issues from the reign of Frederick William of Brandenburg-Prussia. They bear witness to the achievements of the Great Elector, who brought prosperity to a realm devastated by the Thirty Years’ War.















Legal Statement Issued on Italy’s Import Requirements for Coins
Italy requires such extensive documentation for the import of coins that many dealers prefer to avoid the country. But now, the Ministry of Culture in Rome has issued a legal statement that deserves some attention.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.