154Prussia. Frederick William IV, 1840–1861.
Gold medal in the weight of 50 ducats
commemorating the publication of the second volume
of Alexander von Humboldt’s *Kosmos*.
NGC MS 65 PL.
From the estate of Emperor William I.Estimate: 40.000 Euro

166Prussia. Frederick William IV, 1840–1861.
Gold medal in the weight of 50 ducats commemorating
the unveiling of the equestrian statue of
Frederick the Great on Unter den Linden in Berlin in 1851.
NGC MS 63 PL.
From the estate of Emperor William I.Estimate: 25.000 Euro

191Prussia. William I, 1861–1888.
General’s Medal in the weight of 120 ducats, 1871,
commemorating the victory over France.
A magnificent specimen.
From the estate of Emperor William I.Estimate: 75.000 Euro

297Russia. Nicholas I, 1825–1855. Family ruble.
1 1/2 rubles (10 zlotys), 1835, St. Petersburg.
NGC MS 64 (Top Pop).
Only 36 examples struck.
A cabinet piece from polished dies.
From the estate of King Frederick William IV.Estimate: 250.000 Euro

1098Holland. Province.
5 ducats, 1681.
Struck with the dies of a guilder.
NGC PF 64 Cameo.
Proof.Estimate: 40.000 Euro

1192HRE. Ferdinand II, 1592–1618–1637.
5 ducats, 1634, Vienna.
Extremely rare.
Extremely fine-uncirculated.Estimate: 10.000 Euro

1266HRE. Vienna.
Salvator Medal in the weight of 12 ducats,
n. d.(around 1840).
NGC PF 61 CAMEO.
Proof.Estimate: 15.000 Euro

1334City of Regensburg.
5 ducats, n. d. (1708–1710),
with the title of Joseph I. NGC MS 64.
Extremely rare. According to mint records,
only 7 copies struck.
A magnificent piece.Estimate: 25.000 Euro

1602German New Guinea.
10 New Guinea Marks, 1895 A.
NGC MS 65.
A magnificent piece.Estimate: 50.000 Euro

2757Saxony.
John Frederick the Magnanimous and
Maurice, 1541–1547.
Trinity Medal, 1544.
A masterpiece of German medal art. Magnificent,
excellent craftsmanship.Estimate: 75.000 Euro

Archive: People and Markets

A view of the exhibition. Image: Ellen Richardson/Dumbarton Oaks.

Striking Designs – Exhibition at the Dumbarton Oaks

A new special exhibition is on view at the Dumbarton Oaks Museum in Washington D.C. „Striking Designs: Communicating Through Coins” explores what the images on coins can tell us about the late Roman and Byzantine empire.

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First room – Artemis the goddess. Credit: Sandra Ciampone. Courtesy: Turkish Ministry of Culture / DEM Museums.

Ephesus Experience Museum – Symphony on a World Heritage Site

Visitors to the ruins of ancient Ephesus will now find an additional museum on the site. The focus here is not on originals, but on atmospheric installations and technical projections of the highest standard. The experience was created by Atelier Brückner.

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The New and Advanced Coin Yearbook 2025

The new 2025 edition of the Coin Yearbook is fully revised and updated. It features accurate up-to-the-minute pricing of English, Scottish, Irish and Isle of Man coins and many more features.

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Study on Investment Behaviour of Women: Gold – Low Risk but High Returns?

The Royal Mint reports a significant rise in female investors, as more women seem to be turning to the gold and silver markets to safeguard their investment portfolios from risks.

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Archive: Coins, Medals and more

Marcus Antonius: The Loser Who Did Not Write History

Künker’s auction 419 features numismatic rarities from the Roman civil war that followed Caesar’s death. In addition to the Eid Mar denarius, aurei of Marcus Antonius will cross the auction block. We will re-tell his story – from his point of view, not that of Augustus.
Gaius Iulius Vindex. Denar, zwischen März und Mai 68, Vienne(?). Äußerst selten. Vorzüglich. Taxe: 1.500 Euro. Aus Auktion Heidelberger Münzhandlung 89 (12. November 2024), Nr. 113. Hintergrund: Büste Neros, im Kapitolnischen Museum in Rom (cjh1452000 - CC BY-SA 3.0) und Büste Galbas im Stockholmer Schloss (Wolfgang Sauber / CC BY-SA 3.0).

The Roman Civil War of 68/9: The Prelude to the Year of the Four Emperors

Heidelberger Münzhandlung will offer a series of coins of impeccable quality struck during the Roman Civil War at its auction on 12 and 13 November 2024. We take advantage of this opportunity to examine the historical background of these issues, going back to a time when counter-emperors did not (yet) dare to put their portrait on coins.
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