Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
A Numismatic Congress That Will Be Remembered
The 3rd International Congress on the History of Money and Numismatics of the Research Center for Mediterranean Cultures (AKMED) took place in Antalya at the beginning of April. Prof. Johannes Nollé reports on why he believes this congress will remain unforgettable for all participants.
CIT’s Topography – Grand Canyon
Those who take this Grand Canyon coin in their hands for the first time, will find it hard to believe how detailed it replicates the relief of the Grand Canyon. With this issue, CIT and B. H. Mayer’s Kunstprägeanstalt demonstrate that an ultra-high relief can also be turned into an ultra-low relief.
Archive: Coins, Medals and more

Gold from Rhodes for the Battle for Rome
On 30 October 2024, Künker will be auctioning an aureus minted by Caesar’s assassins in 42 BC. The extremely rare piece is estimated at 100,000 euros. We tell the story of a coin that takes us back to the heart of the Roman civil war.

Women on Commemorative Coins: A Long Road to True Equality
Every year, International Women’s Day is celebrated on 8 March—and this week, numismatists also have a reason to celebrate. On 6 March, a German 20-euro coin was issued to mark the 50th anniversary of the International Women’s Year. This coin marks the beginning of a new German commemorative coin series under the theme "Influential Women". But does this mean that women have finally secured their place in the world of numismatics?

















George Kolbe Retires from Bookselling
After over 55 years in the numismatic bookseller business, George Kolbe decided to retire from the partnership of Kolbe & Fanning Numismatic Booksellers.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”