Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
The Naseby Cup – Coins and Medals of the English Civil War
The Naseby Cup is a Victorian vessel of extraordinary numismatic importance, as many incredibly rare coins from the English Civil war are integrated into it. A publication on the cup and its coins will soon be available.
The Fight for Collector’s Rights: An Interview With Ursula Kampmann
For his passionately run “Numischannel” on YouTube, Argentine numismatist Damian Salgado conducted an interview with Ursula Kampmann. Among other things, they talked about private collecting, the rights of collectors and the fight against unfair legislation worldwide. Take a look!
Archive: Coins, Medals and more

French History in Coins – Part 2: From the Second Republic to the Second Empire
In the 19th century, people in France suffered from hunger and poverty. There were uprisings and a revolution. But the first president of the new republic was a nephew of Napoleon and completely took after the old emperor.

The Great Elector, Taxes and the Rise of Prussia
On 1 February 2024, the Künker auction house will hold its 400th auction sale. Among the 770 lots are very rare issues from the reign of Frederick William of Brandenburg-Prussia. They bear witness to the achievements of the Great Elector, who brought prosperity to a realm devastated by the Thirty Years’ War.

















10th Edition of Friedberg’s Gold Coins of the World
You cannot do without this classic when it comes to identifying gold coins! Now, the 10th edition of Coins of the World has been published.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.