Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
How Not To Handle a Gold Transport
Nearly a million euros worth of gold coins were transported in a carrier van to a precious metals dealer without any security measures. No prizes for guessing whether or not they actually got there. A lawsuit in Bavaria reveals how this could happen.
ANS Announces Recipient of Chairman’s Fellowship in Numismatic Research
The American Numismatic Society has chosen the inaugural recipient for the Chairman’s Fellowship for Numismatic Research. The fellowship will fund a dissertation research and a planned book project.
Archive: Coins, Medals and more

The Great Elector, Taxes and the Rise of Prussia
On 1 February 2024, the Künker auction house will hold its 400th auction sale. Among the 770 lots are very rare issues from the reign of Frederick William of Brandenburg-Prussia. They bear witness to the achievements of the Great Elector, who brought prosperity to a realm devastated by the Thirty Years’ War.

Marks and Pfennigs in Your Inheritance: What Should Heirs Do with Old DM Coins?
When dealing with inheritances, it’s common for heirs to come across coins from the Deutsche Mark era –often, these Pfennigs and Marks can feel overwhelming. However, heading straight to the Bundesbank, where nearly all DM coins can be exchanged indefinitely, isn’t always the best option.

















CIT’s Mont-Saint-Michel
CIT has converted the UNESCO World Heritage Site “Mont-Saint-Michel” into numismatic masterpieces: Four coins in three metals pay tribute to the impressive island with a three-dimensional relief on a deeply concave background.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.