Byzantion.
Stater (250–1st century BC).
Condition: ef+
Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.
Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc
Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-
George III.
6 Shilling Token 1804.
Condition: PL
Friesland.
Adler-Taler 1598.
Condition: Very rare, vf
Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-
Bogislaus XIV.
Taler 1629.
Condition: very rare, very fine details, vf+.
younger line,
Heinrich XIV.
2 Mark 1884 A.
Condition: unc-
25 Gulden 1923.
Condition: PCGS PR62
Archive: People and Markets
London Museum Receives Roman Artefacts and £20 Million
The London Museum receives generous support. Bloomberg Philanthropies is providing not only £20 million, but also more than 14,000 Roman artifacts that were unearthed prior to the construction of its London headquarters in the heart of the city – at the site where the Temple of Mithras once stood.
Outstanding Women in Silver and a Break for 5-Euro Coins: Germany’s 2025 Commemorative Coin Programme
Germany’s 2025 coin programme comprises eleven issues, combining subjects of historical importance with current socio-political topics.
Archive: Coins, Medals and more
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Bruno
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Bruno2022-06-13 13:27:592023-06-29 11:34:06Swissmint, a Mint of Records
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Lucie Loechel
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Lucie Loechel2025-01-09 10:35:332025-01-09 14:45:59Joachimsthal and the Reformation
Cherrypickers’ Guide Sellout as a Sign of Strength for the Die-Variety Market?
A new edition of Cherrypickers’ Guide successfully debuted at the American Numismatic Association World’s Fair of Money in Pittsburgh. Whitman publisher Dennis Tucker explains the success of the new Cherrpickers’ Guide with a growing interest in die varieties. Some of his observations on the die-variety market.
Legal Head of Italian Culture Ministry: “Fiendishly Extensive” Proofs Bar Imports
A significant statement on the importation of numismatic goods was issued in June 2023 by the legal department of the Italian Ministry of Culture. Read an analysis by Valentina Tarquini for Cultural Property News here.