Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
Acquisition of a Highly Significant Ensemble for the Coin Cabinet in Vienna
The Kunsthistorisches Museum has acquired 22 coins of the imperial couple Regalianus and Dryantilla and made them digitally accessible. This is all the more impressive considering that only about 160 coins of this imperial couple are known worldwide. These are the only Roman coins that were minted in what is now Austria.
Zimbabwe’s New Currency: Is the ZiG Doomed to Fail From the Start?
Zimbabwe has introduced a new currency that is supposed to win the trust of Zimbabweans as it is backed by gold. Michael Alexander explains the background and presents the new banknotes.
Archive: Coins, Medals and more

The Bending Willow Tree
On 29 January 2025, Künker is going to auction off a unique willow tree coin. The reverse of the 10-ducat piece depicts a willow tree in a storm. But what is the message that William V, the Landgrave of Hesse-Kassel on whose behalf the coin was created, wanted to convey with this issue?

The History and Coinage of Lycia
With its clear blue water, picturesque beaches and a fascinating landscape, Lycia has won over the hearts of many people. On the occasion of Künker’s sale of the Sayar Collection, Johannes Nollé explores the history of this region on Turkey’s southern coast.

















2024 Huntington Award Presented to William E. Metcalf
At the 167th Annual Meeting of the American Numismatic Society, the Archer M. Huntington Award was presented to Dr. William E. Metcalf, honoring his tremendous contributions to Roman and Byzantine numismatics.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.