Gold medal in the weight of 50 ducats
commemorating the publication of the second volume
of Alexander von Humboldt’s *Kosmos*.
NGC MS 65 PL.
From the estate of Emperor William I.
Gold medal in the weight of 50 ducats commemorating
the unveiling of the equestrian statue of
Frederick the Great on Unter den Linden in Berlin in 1851.
NGC MS 63 PL.
From the estate of Emperor William I.
General’s Medal in the weight of 120 ducats, 1871,
commemorating the victory over France.
A magnificent specimen.
From the estate of Emperor William I.
1 1/2 rubles (10 zlotys), 1835, St. Petersburg.
NGC MS 64 (Top Pop).
Only 36 examples struck.
A cabinet piece from polished dies.
From the estate of King Frederick William IV.
5 ducats, 1681.
Struck with the dies of a guilder.
NGC PF 64 Cameo.
Proof.
5 ducats, 1634, Vienna.
Extremely rare.
Extremely fine-uncirculated.
Salvator Medal in the weight of 12 ducats,
n. d.(around 1840).
NGC PF 61 CAMEO.
Proof.
5 ducats, n. d. (1708–1710),
with the title of Joseph I. NGC MS 64.
Extremely rare. According to mint records,
only 7 copies struck.
A magnificent piece.
Archive: People and Markets
When Coins meet Comics: United States Mint and Warner Bros. Join Forces
The Historic modern culture partnership is a first of its kind for the United States Mint. Collectors are invited to vote for their favorite superheroes that will be appearing on US coins soon.
Swissmint Commemorates Wind Power
Following the issues on hydropower and solar energy, Swissmint completes its trilogy “Energy of the Future” with the new commemorative coin “Wind power.” As with its two predecessors, the silver coin glows in the dark.
Archive: Coins, Medals and more
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Smithsonian Acquires Largest Collection of Charleston Slave Badges
The Smithsonian’s National Museum of African American History and Culture recently acquired what is thought to be the largest and most complete set of Charleston Slave Badges. A new website informs about the historical significance of these badges.
Rich and Poor in Early Tudor England
The Met Cloisters takes you into a merchant’s house in 16th-century England. Why did a rich man exhibit images of the poor? Intriguing objects tell us about tastes and self-expression. And you can expect coins to be there too!