Beyond price – no, great art has never been beyond price. Quite the opposite actually – it had a clearly defined price. We will see just how high that price was, looking at the example of the German baroque poet Grimmelshausen. No one has left us with a more impressive account of the Thirty Years’ War.
When it comes to describing a successful collaboration of archaeologists, numismatists, detectorists, coin collectors, and coin dealers, the British Museum’s Portable Antiquities Scheme is sure to be mentioned. We will tell you exactly what it is, on what legal grounds it is based, and the successes this program has achieved.
This bullion coin of the United States, first released in 1986, can look back on a long tradition. Its obverse takes up an effigy that was designed by one of the greatest American artists.
Everybody likes a good laugh, especially at the weaknesses of others. Perhaps this is the reason why we all enjoy caricatures so much: because they make us laugh before we are taken aback and begin to reflect on them.
The Aareal Bank obviously agreed with this view since the management had decided 20 years ago to assemble a collection of caricatures focusing on the very intriguing relationship of people with money. For this purpose, roughly 300 original works by Sempé, Hogarth, Daumier, Hurzlmeier, Haitzinger and a great many others were brought together. Now the Wilhelm-Busch-Museum houses that material: the Aaereal Bank entrusted its collection to the “Deutsches Museum für Karikatur und kritische Graphik“ as permanent loan. A first exhibition was presented as early as 2009 – let us hope that many more will follow.
Possessing colonies with vast resources of silver, Spanish king Philip II could have helped his kingdom to enormous economic prosperity. But even the largest treasure of silver could not realise Philip’s power-hungry fantasy of proselytizing half of Europe.
Why was the human head the motif on coins for centuries, no, for millennia? And why did that change in the last 200 years? Today we will talk about the aftermath of the French Revolution and the beginning of a reign of terror …
“The Virgin Queen” is certainly the most well-known epithet of Elizabeth I. We thought, however, that “Queen of the Pirates” would be equally befitting as English privateers belong to Elizabeth’s story just as much as her virginity.
Why was the human head the motif on coins for centuries, no, for millennia? And why did that change in the last 200 years? In this episode, Louis XVI tries to escape his death in vain.
Being a Free Imperial City proved fatal for Augsburg during the Thirty Years’ War. This episode discusses the disastrous effects of the war on the city’s economic situation.
Why was the human head the motif on coins for centuries, no, for millennia? And why did that change in the last 200 years? John the Baptist paid for his convictions with his head. The Florentines honour his courage on their coinage.
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