Estimated price: CHF 30'000.-Umayyads. Solidus imitating Byzantine solidi, early 660s AD.NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1
Estimated price: CHF 750'000.-Roman Republic. Brutus. Aureus, 43-42 BC.
From the Mazzini Collection.
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1032
Estimated price: CHF 50'000.-Roman Empire. Theodosius II, 402-450.
Solidus 416 or 418, Constantinople.
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1054
Estimated price: CHF 200'000.-Holy Roman Empire. Leopold I, 1657-1705.
10 Ducats 1671 IGW, Graz. NGC MS64 (Top pop).
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1112
Estimated price: CHF 2'000.-China. Anhwei Province. 50 Cents year 24 (1898).
NGC MS63+
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1225
Estimated price: CHF 200'000.-Nuremberg. 10 Ducats 1694. NGC MS65 PL (Top pop).NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1479
Estimated price: CHF 5'000.-Hong Kong. Victoria, 1837-1901. PROOF 1/2 Dollar 1866.
NGC PF64.
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1638
Estimated price: CHF 400'000.-Pamplona. Felipe IV, 1621-1665. 8 Escudos 1652.
From the Huntington Collection. Unique.
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
1679
Estimated price: CHF 150'000.-Great Britain. Anne, 1702-1714. 5 Guineas 1703 VIGO.NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
2035
Estimated price: CHF 300'000.-Great Britain. George III, 1760-1820. PATTERN PROOF
5 Guineas 1777. NGC PF64 CAMEO (Top pop).
NUMISMATICA GENEVENSIS SA - AUCTIONS 19, 20 & 21
(GENEVA 9-10 December 2024)
2058
all news

New Exhibition at the British Museum Presents Recovered Gems

A new exhibition at the British Museum showcases some of the finest ancient gems in the museum’s collection. They include some of the pieces that were recently stolen and could be recovered thanks to the cooperation of coin dealers.

In August 2023, the announcement that around 2000 objects from the Museum’s collection were missing, stolen or damaged – the majority of which were classical gems and items of gold jewelry – sparked a renewed public interest in these objects.

Now the British Museum reveals a new display that explores the significance of classical gems and the impression they have left throughout history. Seen as a window onto the ancient Mediterranean world, they were used as seals, worn as jewelry or collected as objects of beauty in their own right.

Highly coveted by royalty, aristocrats, artists, and antiquarians, Rediscovering gems will look at these incredibly small but highly coveted masterpieces, whose designs reflect, and serve as a record of, the personal tastes and aesthetic preferences seen throughout history.

Gems were hugely popular during the 18th century in Europe and visitors to Rediscovering gems will be able to see them displayed in a typical gem cabinet reflective of the period alongside other collector’s equipment, such as a magnifying glass, cast impressions and drawings.

Blacas cameo depicting Augustus - Roman, AD 14–20 1867,0507.484. Image: © The Trustees of the British Museum.

Blacas cameo depicting Augustus – Roman, AD 14–20 1867,0507.484. Image: © The Trustees of the British Museum.

Ancient glass cameo with a Nereid riding a sea horse (hippocampus) Roman, late 1st century BC–1st century AD 1890,0601.26. Image: © The Trustees of the British Museum.

Ancient glass cameo with a Nereid riding a sea horse (hippocampus) Roman, late 1st century BC–1st century AD 1890,0601.26. Image: © The Trustees of the British Museum.

Ancient glass cameo with the Three Graces Roman, late 1st century BC–1st century AD 1868,0501.151. Image: © The Trustees of the British Museum.

Ancient glass cameo with the Three Graces Roman, late 1st century BC–1st century AD 1868,0501.151. Image: © The Trustees of the British Museum.

Stolen and Recovered Items

Last year the Museum announced the discovery of thefts from the collection, and a recovery program was immediately launched. Thanks to the hard work of the recovery team, and the cooperation of the dealers and members of the public, hundreds of items have been returned. A selection of the recovered gems will be on display for the first time in this showcase. This includes two Roman glass gems from the late 1st century BC to early 1st century AD: an intaglio which features a profile bust of Minerva and a cameo with a bust of Cupid.

The British Museum is committed to recovering all the stolen items and to preventing thefts from happening again. A dedicated team within the Museum is working with the Metropolitan Police Service and with an international group of experts in gems, collection history and art loss recovery, to locate and return the remaining missing items.

George Osborne, Chair of the Board of Trustees, said: “We promised we’d show the world the gems that were stolen and recovered – rather than hide them away. It’s another example of culture change underway at the British Museum, as we open up and take ownership of our own story.”

Collection box of Charles Townley. Image: © The Trustees of the British Museum.

Collection box of Charles Townley. Image: © The Trustees of the British Museum.

Onyx cameo Roman, 1st century AD 1814,0704.1515. Image: © The Trustees of the British Museum.

Onyx cameo Roman, 1st century AD 1814,0704.1515. Image: © The Trustees of the British Museum.

Tom Harrison, Keeper of the Department of Greece and Rome, said: “We are delighted to be able to put on this exhibition and showcase some of the stunning recovered gems which are now safely back in the Museum’s collection. It’s also an interesting opportunity to cast some light on an underappreciated and very beautiful art form. A huge thanks goes out to all those who have lent support and helped us in the recovery program.”

Rediscovering gems will be on display for free in Room 3 of the British Museum from 15 February – 15 June 2024.

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