Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
The Winners of the COTY Award 2024
At the World’s Fair of Money, the winners of the prestigious Coin of the Year (COTY) Awards were honored. Find out here which coins won the category awards and which country took home the award for Coin of the Year.
A Celebration of Spanish Numismatics
On 28 and 29 June 2024, the first Evento Numismático Internacional was held in Madrid. Dealers and collectors had high expectations – and the event exceeded them. The atmosphere in Madrid was one of exceptional excitement.
Archive: Coins, Medals and more

Planchet Error, Overstrike, Double-Strike, Etc.: Which Errors Affect the Price of a Coin? – Part 1
The price of a coin does not only depend on its rarity and grade. There are many things that can affect a specimen’s value in a positive or negative way. This overview will help you to understand common terms, to use them confidently and to understand them in their context.

The Secret of the Success of State Quarters, UNESCO Coins and Federal State Series
25 years ago, the United States of America started a new chapter in numismatic history. Their State Quarters became the model for many other successful coin programs – including Spain’s UNESCO World Heritage Site series.

















The Fight for Collector’s Rights: An Interview With Ursula Kampmann
For his passionately run “Numischannel” on YouTube, Argentine numismatist Damian Salgado conducted an interview with Ursula Kampmann. Among other things, they talked about private collecting, the rights of collectors and the fight against unfair legislation worldwide. Take a look!
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.