Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
The Coin Hoard of Merishausen
From 15 March to 19 October 2025, the Museum zu Allerheiligen in Schaffhausen, Switzerland, is mounting a special exhibition on the coin hoard of Merishausen, presenting the results of research on this interesting ensemble to the public.
Petition Crown Realizes More than $1 Million, Setting Record
For the second time this year, an example of England’s Petition Crown certified by NGC has realized a record price. The piece from the Geoffrey Cope Collection broke the $1 million barrier.
Archive: Coins, Medals and more

As the King Lay Dying… – The Most Spectacular British Gold Coin of the Modern Era
In Part 4 of its extraordinary British Collection, SINCONA will be presenting several extremely rare patterns, some of which are the best-preserved specimens available on the market. In this article, we tell their story.

Two Cityscapes on Coins From Frankfurt am Main and The Artwork That Inspired Them
Many engravers used contemporary media to make their work easier. Their coin designs were often based on well-known engravings. This is illustrated by two pieces from the Loos Collection, which will be auctioned by Künker in September 2023.

















Foreign Coin Production Ends at the Royal Mint – The End of an Era or Another Step Closer to a Cashless Economy?
The Royal Mint has announced that it will no longer produce coins for other countries, ending a business model that it has operated for 700 years. Michael Alexander puts this development into perspective.
CDN Acquires Whitman: What Does This Mean for the Coin Market?
CDN Publishing acquires Whitman Publishing: who is behind the companies and why will this deal affect the international and US coin markets? A commentary by Ursula Kampmann.