1/2 Reichstaler 1621,
under Wilhelm V of Hesse-Kassel as administrator.
Condition: ef+


city of Besançon,
3 Pistols 1666 with title Charles V.
Condition: CH UNC

Bavaria, Chaise d'or (imperial shield)
1328-1347 under Emperor Louis IV.
Condition: ef

Reichstaler 1654-1668
under Count Guidobald von Thun.
Condition: vf-ef

Solidus (491-518)
under Anastasius the righteous.
Condition: vf-ef

Archive: People and Markets
Customs Repatriation to Greece Raises Questions
U.S. Customs recently confiscated fifty-one ancient coins and repatriated them to the Greek Government. But was this act really covered by the MOU with Greece? Peter Tompa gives coin collectors some advises.
Beware of This Scam! These Euro Error Coins Are Not Error Coins
The Internet is currently full of so-called “error coins” – and many collectors fall victim to fraudulent offers. Our author numiscontrol explains what you need to know about the minting process to easily notice when something is off.
Archive: Coins, Medals and more

400 Years Ago – The Founding of Kongsberg
On 2 May 1624, Christian IV of Denmark and Norway founded the mining town of Kongsberg. A series of coins to be offered in the upcoming Künker sale tells us of the hopes that the ruler placed in the silver from these mines.

Frederick III of Denmark and Eben Ezer
SINCONA’s Auctions 92 to 95 will take place from 21 to 25 October 2024. This article introduces one of the many rarities up for sale: a so-called “Ebenezer” coin from Denmark. The 4-Ducat piece is extremely rare and of great historical interest.















CIT’s Legends – Wild West
In 2024, CIT releases the third issue of its Legends series. Following Terracotta Warriors and Legacy of the Pharaohs, the Liechtenstein innovators now showcase one of our favorite legends: the Wild West. The issue incorporates countless details that are reminiscent of classic Hollywood western movies.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.