Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
The MDC Awards 2023
After a five-year break, the Mint Directors Conference took place in Ottawa, Canada, from October 15 to 18. One of the most eagerly awaited events was the announcement of the winners of the prestigious MDC Awards. You can now find them here.
Increasing Prices for German Coin Sets: Is This The End of Proof Coin Collecting?
Official coin sets – for many coin collectors, these issues are an essential part of a complete collection. The number of produced sets, however, has been diminishing significantly for years, and a huge price adjustment could now deter collectors even further.
Archive: Coins, Medals and more

The History and Coinage of Lycia
With its clear blue water, picturesque beaches and a fascinating landscape, Lycia has won over the hearts of many people. On the occasion of Künker’s sale of the Sayar Collection, Johannes Nollé explores the history of this region on Turkey’s southern coast.

The St. Croix Collection of Baktrian Seals
Beginning with Electronic Auction 555, Classical Numismatic Group will be offering a highly important collection of Baktrian seals from the St. Croix Collection. Learn more about these fascinating objects from the Middle Bronze Age here.

















Famous Dacian Helmet Stolen – Thieves Blasted Their Way Into the Museum
On the night of 24 to 25 January, a museum in Assen, Netherlands, was targeted by thieves. They stole four important Dacian gold objects from a temporary exhibition – including the famous Coțofenești helmet. Do we have to worry about it being melted down as well?
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.