1/2 Reichstaler 1621,
under Wilhelm V of Hesse-Kassel as administrator.
Condition: ef+


city of Besançon,
3 Pistols 1666 with title Charles V.
Condition: CH UNC

Bavaria, Chaise d'or (imperial shield)
1328-1347 under Emperor Louis IV.
Condition: ef

Reichstaler 1654-1668
under Count Guidobald von Thun.
Condition: vf-ef

Solidus (491-518)
under Anastasius the righteous.
Condition: vf-ef

Archive: People and Markets
Smithsonian Acquires Largest Collection of Charleston Slave Badges
The Smithsonian’s National Museum of African American History and Culture recently acquired what is thought to be the largest and most complete set of Charleston Slave Badges. A new website informs about the historical significance of these badges.
When Coins meet Comics: United States Mint and Warner Bros. Join Forces
The Historic modern culture partnership is a first of its kind for the United States Mint. Collectors are invited to vote for their favorite superheroes that will be appearing on US coins soon.
Archive: Coins, Medals and more

The National Identity of Modern Ukraine on its Commemorative Coins
Due to tragic circumstances, all eyes are currently on Ukraine. Today, we’ll be discussing the national identity of the Ukrainian people. Using Ukraine’s commemorative coins, we’ll be looking at how the country sees itself, or rather, how it wants to be seen.

Why Are There So Many Coins Depicting Saint George?
Saint George is one of the most popular saints of the Middle Ages and the early modern period. He is venerated by both Catholic and Orthodox Christians, the Druze and even Muslims. What do we know about this saint? Did he even exist? And why are there so many coins depicting him?















Spring Sberatel Fair 2024
The spring edition of the Sberatel collector fair will take place on March 22 and 23 – the perfect opportunity to combine your hobby with a trip to beautiful Prague!
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.