Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
CIT’s Underwater Fantasy – Mermaids
The more we learn about the underwater world, its colorful, bizarrely shaped creatures and the sunken testaments to mankind, the more it captures our imagination and inspires our dreams. CIT translated this feeling into a numismatic shape. From a technical point of view, the application of enamel reproducing underwater visuals is highly remarkable.
The Zurich International Coin Fair 2023
For many decades, the coin fair in Zurich has been the most important meeting point for the Swiss numismatic scene. In 2023, it was particularly crowded, as Swissmint had planned a special sale that drew many interested people.
Archive: Coins, Medals and more

Rebel Emperors of Britannia: Carausius and Allectus
At the end of the third century AD, Carausius and Allectus successively ruled Britain, and parts of the Continental coast, as rebel emperors for a period of ten years. A new book, published by Spink Books, aims to tell the incredible story of these two rebel emperors. Learn more about them and their rich coinage in this article.

The Gnadenpfennig – An Object Between Decoration, Medal, and Coin
Gnadenpfennigs are an extremely rare category of numismatic objects. Künker is proud to offer nine lots in auction 418 on 29 January 2025 that are, or are likely to be, gnadenpfennigs. We explain the purpose of these issues and when they were created.

















Highlights from Shanghai Mint Museum to be Showcased in London
For the first time, highlights from the collection of the Shanghai Mint Museum will be showcased in London at the former Royal Mint. The temporary exhibition titled COINect will be open from 8 to 14 June.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”