Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
The FBI Warns: Fraudsters Have Their Sights Set on Coin Collectors
The FBI has published a new warning that scammers are trying to trick older people in particular out of their coins. Find out which scams are common and how you can protect yourself against them.
Museums, the Coin Market, and the Public – Insights Into a Fruitful Cooperation
On the occasion of the Evento Numismático in Madrid, CoinsWeekly will host an international conference session on the cooperation of all stakeholders in numismatics. We feel honoured that the organisers asked us to contribute to this event.
Archive: Coins, Medals and more

French History in Coins – Part 1: Kings, Consuls and Emperors
The French Revolution also revolutionised the country’s monetary system. Join us on our voyage through the monetary history of modern France. We will start with the First Republic and one of the most famous French coins out there.

Münster, Osnabrück, Passau and the Counts of Lamberg
Münster, Osnabrück and Passau: How are these places related to the Counts of Lamberg? We use coins from Künker’s auction 424 to illustrate how noble families in the Holy Roman Empire climbed the social ladder in early modern times, and explain the reasons for and the consequences of such ascents.

















Martin Hirsch Becomes the New Director of the Bavarian State Coin Collection
Martin Hirsch has worked at the Bavarian State Coin Collection in Munich for years, and now he has been appointed Director. Dr. Hirsch has a lot planned for his new role.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.