Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
Two-Euro Ticker: New 2-Euro Coins in October 2024
As 2024 draws to a close for 2-euro collectors, 29 of the 35 planned coins have already been released. Last month, another surprise emerged from a Euro country.
CIT: The Last Issue in the Real Heroes Series – Astronaut
With the last issue of the Real Heroes series, CIT pays tribute to the courage of astronauts. The focus is on an iconic scene that was implemented with technical perfection as a reflection in the visor of a spacesuit.
Archive: Coins, Medals and more

L. E. Bruun: A Collector in His Time
On the occasion of the upcoming auction of the second part of the Bruun Collection, Ursula Kampmann set out again to explore the story of the person behind this collection on behalf of Stack's. This time, she took a close look at Bruun's career as a collector. Read on to learn about the coin trade and the world of collecting before the Second World War.

The St. Croix Collection of Baktrian Seals
Beginning with Electronic Auction 555, Classical Numismatic Group will be offering a highly important collection of Baktrian seals from the St. Croix Collection. Learn more about these fascinating objects from the Middle Bronze Age here.

















New CIT Issue: Hunters by Night – Ocelot
Since 2020, CIT has been releasing its award-winning and successful Hunters by Night series. The fifth issue is now dedicated to the ocelot, with the nocturnal hunter’s eyes standing out almost hypnotically against the Black Obsidian surface.
CIT’s Topography – Grand Canyon
Those who take this Grand Canyon coin in their hands for the first time, will find it hard to believe how detailed it replicates the relief of the Grand Canyon. With this issue, CIT and B. H. Mayer’s Kunstprägeanstalt demonstrate that an ultra-high relief can also be turned into an ultra-low relief.