Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
INORCOAT: How to Make Minting More Sustainable
Are you annoyed by all the laws that make our lives more difficult but have no positive effect? Here’s an example of a law that actually makes sense: the planned ban on chromium (VI) electroplating is helping an innovative technology to make a breakthrough – and this development brings decisive advantages for the minting industry. Romain Waidelich of INORCOAT takes us behind the scenes.
Coin Dealer Richard Beale Pleads Guilty
Richard Beale has pleaded guilty to a number of charges. At a court hearing in New York in August 2023, the British coin dealer admitted, among other things, to falsifying the provenance of an EID MAR aureus.
Archive: Coins, Medals and more

The Suffering of Leiden – A Siege During the Dutch Revolt
The third part of the Beuth Collection that Künker offers in Auction 420 contains many historically interesting emergency and siege coins. They were issued by the Dutch towns besieged by Spain during the 80 Years' War. One of these towns was Leiden, which to this day commemorates the end of the siege every year with a festival.

Fascinating Change: The 50 State Quarters of the USA – a Milestone
By means of the 50 State Quarters, the US Mint succeeded in rekindling the people’s love of coins and bringing it to the next generation. What was so special about this series? Let’s look back.

















New Corporate Design for the World Money Fair
Updates from the World Money Fair: The world’s largest coin fair has had a new managing director for some time now. Now the corporate design has also been revised.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”