Archive: People and Markets
The Difference Between Stamps and Coins: Not as Trivial as You’d Think!
There are times when uninformed people buy anything as long as the object in question might retain its value. Disillusionment strikes when the market situation changes. The realisation that there isn’t a market for every collectible ruined many a collecting field in the past. Ursula Kampmann urges caution.
Further Thefts at Royal Coin Cabinet Brought to Trial
The systematic thefts at the Royal Coin Cabinet in Stockholm were not committed by one single person. Another employee helped himself to some objects. At present, prosecutors are trying to prove the man stole coins worth more than 3.8 million Swedish kronor, including a Russian family ruble which sold for 510,000 SEK in 2009.
Archive: Coins, Medals and more

Queen Anne: Great Britain on Its Way to Becoming a Global Power
On 26 May 2025, SINCONA will auction off part 6 of the British Collection presenting the medals of this ensemble. In this article, we will show you some of the treasures among the lots and explore the story of Queen Anne. Under her rule, Great Britain became the most important trading power in Europe.

The Gnadenpfennig – An Object Between Decoration, Medal, and Coin
Gnadenpfennigs are an extremely rare category of numismatic objects. Künker is proud to offer nine lots in auction 418 on 29 January 2025 that are, or are likely to be, gnadenpfennigs. We explain the purpose of these issues and when they were created.










Black Lizard: The Second Issue of the Autochthonous Croatia Series
If you want to witness how Darwin’s natural selection works, there is no need to travel to the Galápagos Islands. The lizards on Croatian islands are just as diverse as Galápagos tortoises. The Croatian Mint has dedicated its latest issue of the Autochthonous Croatia series to a very special lizard species.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.