

Persian satrap Mazzaios.
AR Stater (361-334 BC)
with Baal of Tarsus.
Condition: ef.

AE Sestertius (AD 80–81), Rome.
"Judaea Capta" type.
Condition: rare, ef.

AV Aureus (AD 107–113), Rome.
Restitution issue honoring Augustus.
Condition: extremely rare, near vf.

Arendsrijksdaalder (Eagle Rixdollar), 1598.
Condition: very rare, vf.

Thaler, 1657.
Bearing the title of Ferdinand III.
Condition: near ef/ef.

Vereinstaler 1857.
Condition: attr. piece, first strike.

Convention thaler, n.d. (after 1803),
issued on the death of Duke Georg.
Condition: extremely rare, unc.

Banque des États de l'Afrique Centrale,
1000 francs 1974.
Condition: I-.
Archive: People and Markets
Successful IAPN Congress in San Francisco
In May, the 72 annual Congress of the IAPN took place in San Francisco. Read here who won the prestigious IAPN book awards this year!
The Great Kentucky Hoard of Pre-1865 US Gold Coinage
A cache of rare Civil War-era coins unearthed in Kentucky includes the finest-known 1863 Double Eagles as well as several interesting varieties and errors.
Archive: Coins, Medals and more

Coins on Coins: When Numismatic Legends Are Reborn
Switzerland receives much acclaim for its redesign of the 100-franc Vreneli. Yet, success is not a given—numerous challenges arise for mints and artists alike.

Queen Anne: Great Britain on Its Way to Becoming a Global Power
On 26 May 2025, SINCONA will auction off part 6 of the British Collection presenting the medals of this ensemble. In this article, we will show you some of the treasures among the lots and explore the story of Queen Anne. Under her rule, Great Britain became the most important trading power in Europe.












CIT’s Yin and Yang
With Yin and Yang, CIT presents a completely new interpretation of a time-honored theme. The piece owes its special aesthetics to the brilliant combination of Proof smartminting® and Black Proof smartminting®.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.