Byzantion.
Stater (250–1st century BC).
Condition: ef+
Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.
Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc
Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-
George III.
6 Shilling Token 1804.
Condition: PL
Friesland.
Adler-Taler 1598.
Condition: Very rare, vf
Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-
Bogislaus XIV.
Taler 1629.
Condition: very rare, very fine details, vf+.
younger line,
Heinrich XIV.
2 Mark 1884 A.
Condition: unc-
25 Gulden 1923.
Condition: PCGS PR62
Archive: People and Markets
French Error Coin: The Monnaie de Paris Coin Mishap
The French mint Monnaie de Paris had planned to introduce a new design for coins of 10, 20 and 50 cents in 2024, but a mishap with serious consequences occurred – and while the extent of the financial loss that ensued is still unknown, it is clear that it caused great damage to the mint´s image.
Report of the 30th ICOMON Annual Conference in Stockholm
The International Committee of Money and Banking Museums (ICOMON) held its 30th Annual Conference in Stockholm from 25 to 28 September 2024. The Economy Museum, as host institution, welcomed over 110 participants and 42 speakers from over 30 countries across the globe.
Archive: Coins, Medals and more
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Ursula Kampmann
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Ursula Kampmann2023-07-27 09:11:342023-07-27 09:11:34French History in Coins – Part 1: Kings, Consuls and Emperors
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Bruno
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Bruno2024-04-04 09:39:312024-04-04 13:03:19Counterfeit Detection: Altered Prussia 20 Mark
Sofia Numismatic School 2023
The Sofia Numismatic School 2023 discusses ancient numismatics. A focus will be on the implementation of innovative digital methodology and the concept of Digital Numismatics. Graduate and postgraduate students can still apply!
Legal Head of Italian Culture Ministry: “Fiendishly Extensive” Proofs Bar Imports
A significant statement on the importation of numismatic goods was issued in June 2023 by the legal department of the Italian Ministry of Culture. Read an analysis by Valentina Tarquini for Cultural Property News here.