Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
These Are The Winners of the International Coin Design Competition 2022
Japan Mint annually awards the best works received for the International Coin Design Competition. This year the war against Ukraine is topic of the most excellent work.
Royal Canadian Mint Unveils New Effigy of Charles III
The Royal Canadian Mint have unveiled the new effigy which will be seen on Canadian circulation, collector and bullion coinage. The new likeness was revealed on the 75th birthday of His Majesty. Michael Alexander takes a closer look.
Archive: Coins, Medals and more

The Augustean Denarius Find From Brohl-Lützing Offered at Auction
In the current auction of Solidus, the treasure find of Brohl-Lützing is on offer. The hoard of 18 denarii contains rare coinage from Pompeius to Augustus and thus takes us right into the highly exciting era of the Roman civil wars.

L. E. Bruun: A Collector in His Time
On the occasion of the upcoming auction of the second part of the Bruun Collection, Ursula Kampmann set out again to explore the story of the person behind this collection on behalf of Stack's. This time, she took a close look at Bruun's career as a collector. Read on to learn about the coin trade and the world of collecting before the Second World War.

















Manfred Dunker Honored as the Founder of Modern Coin Marketing
Manfred Dunker played a decisive role in the creation of MDM and is probably the most influential person in the history of modern commemorative coins. At the World Money Fair 2025, Samlerhuset Group paid tribute to its most important employee.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”