Why was the human head the motif on coins for centuries, no, for millennia? And why did that change in the last 200 years? As a generous patron of Leonardo da Vinci, Ludovico Sforza rightfully earned his coin portrait.
In October 2012 metal detectorist John Goody found a ‘new’ ancient British coin, hitherto unrecorded and unpublished. It is rather worn, but nonetheless intriguing because I’m unable as yet to pin it down to a particular ruler or even, with confidence, to a particular tribe.
Why is it that for centuries – or rather thousands of years – the head has served as the motif for the side of a coin? And why has this changed in the last 200 years? In this part of the series it is once again about Alexander the Great – at least about his body.
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