Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
Joachim Stollhoff (18.7.1948-2.11.2024)
Claire Franklin-Werz also wrote an extensive obituary for her long-time friend and mentor Joachim Stollhoff.
The Zurich International Coin Fair 2023
For many decades, the coin fair in Zurich has been the most important meeting point for the Swiss numismatic scene. In 2023, it was particularly crowded, as Swissmint had planned a special sale that drew many interested people.
Archive: Coins, Medals and more

The Roman Civil War of 68/9: The Prelude to the Year of the Four Emperors
Heidelberger Münzhandlung will offer a series of coins of impeccable quality struck during the Roman Civil War at its auction on 12 and 13 November 2024. We take advantage of this opportunity to examine the historical background of these issues, going back to a time when counter-emperors did not (yet) dare to put their portrait on coins.

Royal Gold: England’s Five Guineas and the English Gold Currency
On 10 December 2024, Numismatica Genevensis will offer the most complete run of English Five Guineas ever sold at auction. The pieces are considered to be the most beautiful and the heaviest English circulation issues in gold. They were struck from 1668 to 1777, during the period when England replaced its bimetallism with the gold currency. Read on to find out more.

















CAC Grading Service Begins Full Operations
With their famous green stickers, CAC was previously known mainly for the evaluation of high-grade coins already certified by other grading services. After a test phase, CAC has now fully launched its own grading service.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”