Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
Pobjoy’s Glacier Series: Saturn
In 2023, Pobjoy Mint has started a six-coin series dedicated to the Antarctic glaciers. The fourth issue features the Saturn Glacier.
Panticapaeum Stater Most Expensive Ancient Coin
A gold stater from the city of Panticapaeum is currently the most expensive ancient coin ever sold at auction. In May 2023, it was sold by Numismatica Ars Classica in Switzerland for the record sum of 5,390,000 CHF or ca. $6 million.
Archive: Coins, Medals and more

L. E. Bruun: A Collector in His Time
On the occasion of the upcoming auction of the second part of the Bruun Collection, Ursula Kampmann set out again to explore the story of the person behind this collection on behalf of Stack's. This time, she took a close look at Bruun's career as a collector. Read on to learn about the coin trade and the world of collecting before the Second World War.

The Secret of the Success of State Quarters, UNESCO Coins and Federal State Series
25 years ago, the United States of America started a new chapter in numismatic history. Their State Quarters became the model for many other successful coin programs – including Spain’s UNESCO World Heritage Site series.

















New Publication on Hallmarks of Gold Coinage in Serbia and Yugoslavia
After the work of countless renowned scholars, is it even possible to make new findings in the numismatics of Austria-Hungary and the Balkans? The Austrian Research Society for Numismatics says „yes!“ and proves this with Aleksandar Brzić’s new book on Serbian and Yugoslav hallmarks on gold coins from 1882 to 1941.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”