Byzantion.
Stater (250–1st century BC).
Condition: ef+
Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.
Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc
Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-
George III.
6 Shilling Token 1804.
Condition: PL
Friesland.
Adler-Taler 1598.
Condition: Very rare, vf
Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-
Bogislaus XIV.
Taler 1629.
Condition: very rare, very fine details, vf+.
younger line,
Heinrich XIV.
2 Mark 1884 A.
Condition: unc-
25 Gulden 1923.
Condition: PCGS PR62
Archive: People and Markets
The Sixbid Archive – What It Is and Why You Need It
Sixbid has launched a new service: the Sixbid Archive. What makes this archive different from all the other auction databases out there? Is it really one of the most important numismatic projects of this century? Is it worth the €66 price tag? And for whom might it be worthwhile to purchase the €666 gold subscription?
CIT Legends: Aztec Empire
CIT’s Legends series is a feast for the eyes for all those who love to immerse themselves in a coin design. The fourth release of the series is dedicated to the Aztecs, the legendary people who offered blood sacrifices to assure the rising of the sun each day.
Archive: Coins, Medals and more
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Ursula Kampmann
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Ursula Kampmann2024-04-18 10:26:522024-04-18 10:26:52The Turks, the Bohemian Estates and Two Gnadenpfennigs by Ferdinand I
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Lucie Loechel
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Lucie Loechel2025-02-13 09:44:362025-02-13 10:00:07Marcus Antonius: The Loser Who Did Not Write History
The Zurich International Coin Fair 2023
For many decades, the coin fair in Zurich has been the most important meeting point for the Swiss numismatic scene. In 2023, it was particularly crowded, as Swissmint had planned a special sale that drew many interested people.
Legal Head of Italian Culture Ministry: “Fiendishly Extensive” Proofs Bar Imports
A significant statement on the importation of numismatic goods was issued in June 2023 by the legal department of the Italian Ministry of Culture. Read an analysis by Valentina Tarquini for Cultural Property News here.