Matidia.
Denarius (112 AD), Rome.
Condition: very rare, vf /vf+.

Julian II. Apostata as Caesar.
Solidus (355–357 AD), Rome.
Condition: unc

Frederik IV.
Double-Ducat 1704, Copenhagen.
With certificate of authenticity.
Condition: ef-

Johann Wilhelm.
Ducat 1753, Nuremberg.
Condition: rare, lightly worked, vf-

Archive: People and Markets
Swiss Linguistic Diversity Gold Coin
The latest Swiss gold coin “Swiss Language Diversity” honors cultural diversity and multilingualism as the very essence of Switzerland.
Will the International Coin Market Be Affected by the New US Tariff Policy?
America’s tariff regime is dominating the headlines. Yesterday morning (CET), when Ursula Kampmann wrote this article, many countries were under the threat of high punitive tariffs. As of yesterday evening (CET), this is no longer the case. But it is still interesting to consider what would happen in the coin market if punitive tariffs were imposed.
Archive: Coins, Medals and more

Was Anarevito a Slave Trader?
Until recently, the name Anarevito was completely unknown. It first appeared in 2010 on a coin struck shortly after the birth of Christ. Now the name has surfaced on another coin, which is for sale. Chris Rudd discusses this ruler, his coins, and his connection to the slave trade.

The Birth of the Krugerrand
The South African Krugerrand is the world’s oldest bullion coin. When it was first minted in 1967, the concept of producing a coin that matched the weight of an investment unit – one ounce – was both new and innovative. Learn more about the economic background and the meaning of its design here.

















Fakes, Counterfeits, Imitations – CoinsWeekly NYINC Special Issue
It is every coin collector’s greatest fear: the precious centerpiece of a collection turns out to be a fake. But what can you do if suspicions arise? Our new CoinsWeekly Special Issue draws attention to different aspects of fakes, counterfeits and imitations.
Your Tax Dollars at Work
Is the State Department funding a crusade against private ownership of cultural goods in the U.S.? Peter Tompa explains how taxpayer money was used to justify cultural property Memorandums of Understanding (MOUs) or “emergency import restrictions.”