Spain.
Philip III,
100 Escudos 1609,
Segovia.
Unique.


Roman Republic.
Cleopatra VII and Mark Antony,
Tetradrachm 36 BC,
Antioch on the Orontes.

Great Britain.
Henry VII,
Gold Sovereign,
type I, Cross Fitchee, n. d. (1492),
Tower mint.

Archive: People and Markets
Successful Launch of the 11-Euro Football Coin for the 2024 European Championship
The large crowds and the fact that the 11-euro coin sold out quickly show how popular it is with the general public. The unusual collector issue fascinates football fans and numismatists alike and could become a popular souvenir across Europe.
Aquileia: A Centre of the Late Roman Empire
Under the Tetrarchs, Rome lost its position as the main residence of the emperor. Other sites with a more favourable strategic location took over this role. One of them was Aquileia. Those who visit the city today will find traces of Roman civilisation everywhere. Join Ursula Kampmann on her numismatic discovery tour!
Archive: Coins, Medals and more

Highlights from the Bruun Collection
Stacks will sell the about 20.000 coins of the Bruun Collection in various auctions. The first sale features 300 Scandinavian rarities with an estimated value of 10 million US dollars. Learn more about two of the highlights: a Danish gold noble and a Norwegian Speciedaler dated to 1661 depicting the fortress of Akershus.

Gustav III: A Conservative Revolutionary
On 20 June 2023, Künker will auction off medals that the Swedish King Gustav III himself gave as a present to the young Peter Frederick Augustus of Oldenburg. These medals are a testament to the policies of the king who was shot dead at a masked ball in 1792.

















Two-Euro Ticker: New 2-Euro Coins in February 2025
Italy celebrates the Holy Year, and Luxembourg marks the change of throne with a numismatic first: for the first time, official colour applications will appear on Luxembourg’s 2-euro coins.
The British Museum: When Theft Becomes PR
Once again, the BM made negative headlines: Ilé Sartuzi stole a coin unnoticed during a hands-on tour and declared this an artistic performance. A commentary by Ursula Kampmann.