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The People of Zurich and their Money 5: The Soldier’s Wages of Pavia
Our series takes you along for the ride as we explore the Zurich of times past. This time it’s the year 1512 and we’re standing in the chamber of the Abbess of the Fraumünster Abbey. She is hiding a mercenary leader who’s on the run. Much like a good DVD, this conversation comes with a sort of ‘making of’ – a little numismatic-historical backdrop to help underscore and illustrate its context.
The People of Zurich and their Money 3: At the Market in Zurich
Our series takes you along for the ride as we explore the Zurich of times past. In this instalment, you’ll get to read a dialogue between a buyer from out of town who’s trying to pay for his purchases in the year 1335. Much like a good DVD, this conversation comes with a sort of ‘making of’ – a little numismatic-historical backdrop to help underscore and illustrate this conversation.
Human Faces Part 7: Alexander the Great
Why is it that for centuries – or rather thousands of years – the head has served as the motif for the side of a coin? And why has this changed in the last 200 years? In this part of the series all is about Alexander the Great.
In the Empire of The Merry Widow
From October 8 to 12, 2012 at Künker’s in Osnabrück a rare 100-perpera piece is going to be auctioned. It was struck in honor of Nikola I of Montenegro, ruler of a realm, which is reflected as Pontevedra in the famous musical comedy ‘The Merry Widow’.
Freedom for Algeria – The Fate of Abd el-Kader
Standing in the middle of the Château d’Amboise garden on the Loire is a Muslim cemetery from the 19th century. Here, the followers of Algerian freedom fighter Abd el-Kader were buried with honour. What brought them to this place is a story that begs telling.
Human Faces Part 5: Greek Art – Celtic Art
Why is it that for centuries – or rather thousands of years – the head has served as the motif for the side of a coin? And why has this changed in the last 200 years? Ursula Kampmann poses these questions in her book ‘MenschenGesichter,’ from which the texts for our new series are taken.